 | | 系統號碼 | 679854 | | 書刊名 | Revolution in the making : abstract sculpture by women, 1947-2016 / | | 主要著者 | Contributions by Emily Rothrum, Elizabeth A. T. Smith, Jenni Sorkin, Anne M. Wagner ; organized and edited by Paul Schimmel, Jenni Sorkin. | | 其他著者 | Rothrum, Emily,;Smith, Elizabeth A. T., 1958-;Sorkin, Jenni, ;Wagner, Anne Middleton, 1949-;Schimmel, Paul, | | 出版項 | Milan : Hauser & Wirth, [2016] | | 索書號 | NB198.5.A2.R48 2016 | | ISBN | 9788857230658(Distribution/Skira editore, Milan) | | 標題 | Sculpture, Abstract-Exhibitions.
Women sculptors-Exhibitions.
Sculpture, Modern-20th century-Exhibitions.
Sculpture, Modern-21st century-Exhibitions. | | | |
|
|
 |
| | 資料類型 | 狀態 | 應還日期 | 預約人數 | 館藏地 | 索書號 | 條碼號 | | 找書 | 圖書 | 在架上 | | 0 | 總館
西文圖書區  | NB198.5.A2 .R48 2016 | W106291 |
| 內容簡介 | "The catalogue accompanies the most comprehensive exhibition of postwar abstract sculpture by women artists. Revolution in the Making traces the ways in which women artists deftly transformed the language of sculpture. The volume seeks to identify the multiple strains of proto-feminist practices, characterized by abstraction and repetition, which rejected the singularity of the masterwork. Divided into four sections, the book will feature approximately thirty artists and nearly 100 works in total: the postwar era (the late 1950s) including such historically important predecessors as Ruth Asawa, Lee Bontecou, Louise Bourgeois, Claire Falkenstein, and Louise Nevelson; the 1960s and 1970s, highlighting a generation of post-minimalist artists who ignited a revolution in their use of process-oriented materials and methods; the 1980s and 1990s, the period that moved beyond singular, three-dimensional objects toward architectonic works characterized by repetition, structure, and design; and post-2000 works by artists who created installation-based environments, embracing domestic materials and craft as an embedded discourse." -- Publisher's description |
讀者書評 |
尚無書評，
|
|